Cerberu, fiera crudele e diversa Drone (2020) Eight Tower Records, Italy.
Mutation2 Drone (2020) Alternate African Reality, Syrphe Records, Germany.
Music for Trees, Through a Forest Wilderness–Actions in the Forest (2019)
Performance, Conceptual Art, Events, 1960 - ∞, Kunsthalle, Wilhelmshaven.
Cave Music (2019)
Real-time auralisation for voice and the acoustics of Spro Caves in Nesodden. Kunsthøgskolen i Oslo and Kunstnernes Hus, Oslo.
Music for Trees, Through a Forest Wilderness–Actions in the Forest (2019)
Performance, Conceptual Art, Events, 1960 - ∞, Nikolskoer Landpartie, Berlin.
Goodbye Anthill Drone (2018)
Drone created from real-, augmented-, AI- & data mined voices and spliced interviews.
Green Esponja Drone (2018)
For Grüne Salon collaboration with Alessandro Ubirajara Olbrich, Cibelle Cavalli Bastos, Cobi van Tonder, Jane D, Juliane Elting, Luís Knihs, Nico Arawó, Philip Wiegard, Sabina Maria van der Linden, Tatiana Saphir and Yusuf Etiman.
Telepathic Resistenz for sound objects, voice & computer (2017)
Pearls, stones, jelly, microphones, convolution reverb, voice & computer.
Gala for 8-12 musicians, 5’ (2016)
Open ended Instrumentation - 4 - 12 virtual or real instruments that can generate accurate micro-tones and sustain a note for 10-30 seconds (with or without electronic effects).
Drift for 12 musicians, 12’ (2016)
Open ended Instrumentation - 12 virtual or real instruments that can generate accurate micro-tones and sustain a note for 10-30 seconds (with or without electronic effects).
Mutation 2 for 4 musicians, 13’ (2016)
Any virtual or real instruments that can generate accurate micro-tones and sustain a note for 10-30 seconds (with or without electronics).
Fata Morgana for Female Choir, Percussion and Computer, 30’ (2016)
Fata Morgana - Loss
Voice Ensemble (10 voices) - can be sung by Mezzo-Soprano, Contralto and/or Soprano (all these voices could work).
Alternatively fewer voices plus tape part.
Fata Morgana - Arrest 3
Voice Ensemble (16 voices) -
6 Mezzo-Soprano and/or Soprano
10 Mezzo-Soprano and/or Contralto
Tubular Bells: C4, E4, G4
Bell Plates: G2, G♯2, C3, E3, G3.
Alternatively fewer voices plus tape part.
Haute Rorschach – microtonal electronic music, 8’30” (2015)
6 plucked string instruments (virtual or real) in any combinations: koto, guitar, harpsichord, harp, cello, violin, exotic oriental, african... i.e. for 6 guitars, or for 6 koto's, or a mixture.
When all memory is gone – microtonal electronic music,12’ (2015).
Relativity for Voice and Tape (8min) - with vocalist Michelle O’Rourke - Printing Room, Trinity (2013).
String Quartet No 1 (18min) - Premiere will be in April 2013, Trinity (2012).
EXPLODE/IMPLODE (20min) - 42 channel Spatial Audio piece developed at SARC, Queens University for the Sonic Lab performance space (2012).
Benign Positional Vertigo – (Reworked) for 8 piece Ensemble (2012).
21 (21min) - Electronic music work based on a transcription of an audio sample taken from a talk by Terrence McKenna (2012).
Lullaby for InfrasoundBed (40min loop) - Toffee Festival, City Hall Cape Town (2011).
Tristan Time Space Continuum - for Trumpet, Trombone & Cello - Der Sommer in Stuttgart - mit Musik der Jahrhunderte, Germany (2010).
Vuurvangerkindmens, HD Video and 16-channel sound diffusion, CCRMA Stage, Stanford (2009).
Luvbitten on GLU-music with Susanne M. Winterling (2008).
Memory and Distance for Solo Cello performed by Gavriel Lipkind as part of the Solitude Cycle, Ludwigsburg, Germany (2008).
Golden Summer Mistake for Soprano and Harpsichord. Soprano Angelika Luz and pianist/harpsichordist Florian Holscher. Kein Liederabend, Stuttgart (2007).
Benign Positional Vertigo for 9 piece ensemble, performed by Ensemble Ascolta. Stuttgart, ISCM World New Music Festival 2006 grenzenlos during the Festival Sommer in Stuttgart (2006).